Glenn Meade composes "maximalist" music: complex and
dynamic works for a large synthesizer orchestra. Utilizing more than 40
different synthesizers, samplers, and audio processors, he creates beautiful
timbres and powerful musical statements.
A master of electronic instruments, Glenn achieves sounds that reflect all
the breadth and nuance of a skilled virtuoso. They are then fused together
in compositions that are symphonic in scope, with strong melodies, chromatic
textures, and energetic percussion.
Complex and engaging, the compositions vary dramatically -- from those with
blistering speed and intensity to those with slow grandeur and haunting
melodies.
"Quantum Dances, " his first CD of
electronic music, has been well received:
"...definitely not lightweight or superficial music. This music deserves
to be widely heard."
"...magnificent, other-worldly compositions."
AfterTouch-New Music Discoveries
"...active and engaging music for serious music enthusiast on the lookout
for daring and innovative sounds."
Time and a Word - The International Music Newsletter
"...the restless high energy...brings a mercurial wildness to each
and every piece..."
Discoveries - Keyboard
"Gloria, for Choir and Orchestra," gives a cutting-edge expression to a familiar text. A work of exquisite beauty and power, this 50-minute setting of the second portion of the Great Mass interprets the words with totally new melodies and rhythms. Beginning with a hush, it builds through each section culminating in the glorious "Amen." The superb vocalists, accompanied by an array of electronic instruments, perform a vibrant new musical realization of the sacred words.
"Open Road, Suite for Jazz Piano," his newly released CD, is a collection of new pieces that captures the essence of driving the open highway. A mix of modern classical precision with the harmonies and rhythm of jazz, the music varies from the lyrical "Sunday Driver" to the intense, angular "Rush Hour." Pianist Stuart Leitch brings the music to life in a sparkling performance on a Baldwin Grand.
Glenn Meade, composer and sound designer, has been writing contemporary orchestral, chamber, vocal, and musical-dramatic works since 1975. He recieved his musical education at both the Peabody and American Conservatories of Music, and has had numerous works performed by professional ensembles. Introduced to MIDI control of synthesizers and audio processors in 1986, he became quickly proficient at using the technology to produce dynamic and complex works for a "synthesizer orchestra." While continuing to write new works for both acoustic and electronic media, he has been designing sound for film, video, and theatrical productions, and teaching electronic composition.
SM1001 "No Rest for the Weary" (Cassette)
SM1002 "Phantasmagoria/The Elements" (Cassette)
SM1003 "Quantum Dances" (CD/Cassette)
SM1004 "Gloria, for Choir and Orchestra" (CD)
SM1005 "Open Road, Suite for Jazz Piano" (CD)
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