In the 1980's and early 90's, PAN was the center of the universe where
MIDI and Electronic Music Technology was concerned. The ability to download digital audio was invented on PAN in 1984, and the first demonstration of real-time streaming digital audio and video was publicly simulated in 1986. Members of PAN were among the original
creators of MIDI, and many PAN members participated in most of the subsequent
additions to the MIDI 1.0 Specification.
For example, the current MIDI File Standard was
born as a result of a discussion in PAN's Synthesizer & MIDI Development Forum
that arose first as a complaint by many members that they could not use files
created on proprietary sequencers with other sequencers, which inhibited
collaboration across the network. Developers of the top-of-the-line sequencers
at the time (Dave Oppenheim from Opcode Systems, Roy Groth from Mark of the Unicorn, and Bill Southworth
from Southworth Systems) joined in and agreed to work on a standard that would
allow all sequencer files to be portable, regardless of whatever software the
user was using. The result was the MIDI File Specification that was later
adopted officially by the MIDI Manufacturers Association (whose official online forum is based on PAN).
Interestingly, by 1992, PAN members were the first people in the industry to
note the IMPACT of the technology on existing copyright law, and the apparent
lack of compliance by many online services. The discussion in the PAN Forum
eventually led to a class-action lawsuit by the National Music Publishers
Association against Compuserve Inc, which was settled out of court and established
a precendent for the standardization of licensing MIDI File copyrights. Another
member of PAN, who was both an excellent keyboardist as well as a member of Congress (U.S. Rep. Bob Carr, D-Michigan),
invited various PAN members to submit their views on the impact of technology on
copyrights before the House Committee on the Arts. This issue is still being
debated on a global scale.
These are just a few of the anecdotes of which made PAN a legend in the industry, purely on the basis of the high-concentration of the best and the brightest in the field, all brought together in one place as a peer-group of the highest order.
In recognition of its members' contributions and activites in the Research & Development realms of MIDI and
related technologies, PAN was approved by the National Science Foundation in 1990 as a fully particpating domain on the Internet (back in those days,
the net was completely non-commerical and populated solely by educational, research, and governmental institutions).
While the advent of the World Wide Web has seen some fragmentation
of PAN's Synthesizer & MIDI Development Network, our resources remain
intact, and most of the PAN alumni from the early days of MIDI remain
available when the need arises or an issue presents itself for discussion.
PAN's extensive database of applications, patches, samples, and top-quality FX is available free of charge to
all members whenever they need them.